If you want to know how to promote your music, you have to know how to come up with a quality recording sound. The first step is to ensure that your mic produces good sound. However, especially if you’re starting, you may encounter a huge issue in the forms of pops and plosives.
Pops and plosives will surely lower your podcast’s audio quality. Although those intrusive noises can be bothersome and negatively affect the sound quality of your music, that doesn’t imply they couldn’t be avoided.
Plosives, which are strong consonant sounds like the letters P, T, C, K, B, and J, might cause your recording to pop or click because they produce harsh bass frequencies and wind noise when spoken aloud.
These sounds not only add a lot of unnecessary labor and potential time and effort wasted, but they can also ruin your recording and reduce the audio quality of your podcast.
Learn some tips on how to stop these pops and plosives by reading on.
Know Which Mic Works
If you are recording in a typically quiet podcast studio, a big diaphragm dynamic mic would be the ideal option, albeit a windscreen and pop filter is a bare minimum with one of these mics.
You must carefully consider your options after considering the task and environment for which your microphone will be used. Many more types of microphones are available, including cardioid models, which are better at picking up the background noise.
It’s also crucial to remember that you can soften plosives by adjusting the mic settings. Depending on the microphone, different settings may apply to the bass roll-off feature, sensitivity, pick-up patterns, and even pre-EQing your microphone.
Pay attention to and test the settings on your microphone. You might discover the perfect setting for successfully reducing those plosives.
Change Up Your Mic Technique
Your speaking volume, breathing pattern, and general attitude toward your microphone in connection to what you’re saying all fall under the category of your mic technique.
A helpful test for eliminating plosives in your recording is to say “pa, pa, pa” out loud while extending your hand out in front of you and moving it around in front of your lips. Once you can speak into the microphone without feeling your breath escape, you’ve figured out your plosive range and the ideal speaking angle.
As yelling greatly enhances plosive noises, be sure you are speaking at a normal volume and are not raising your voice.
Additionally, refrain from forcing your pronunciation and don’t add extra air to hard consonants. Be aware that to avoid plosive blasts being directed straight at the microphone, it is best to take a small step back or to sidestep when you suspect your speech might make a plosive sound.
Consider Where You Position Your Mic
Your mouth and the microphone should be three to six inches apart. This provides a brief window of time for the air in front of you to dampen the loud pop noises and lower frequencies you will create.
Consider positioning the microphone a little to the side or slightly above your mouth. You can reduce plosives by angling your microphone since the air you release to make these challenging consonant sounds are either pushed out directly in front of you or downward.
Use Editing Tools If Unsure
If you’ve tried all of the above and your recording still has audible pops, editing is your final resort. You can employ a few different tactics if you want to ensure you know how to get your music heard. You can process the recording, make the audio normal, or eliminate any plosives.
If you balanced the audio to eliminate troublesome frequencies and didn’t record into an equalizer, the roughness of the plosive sounds should be minimized. Try a few different presets in your editing tool to find the most effective way to reduce plosives.
You can see that your soundtrack doesn’t have to be dominated by pops and plosives. Preventive measures are crucial. Use the methods to avoid pops and plosives whether or not you’ve already dealt with a lot of them in your audio. With this, you can raise the level of your podcast or music as a whole, and you’ll be ready for digital audio advertising!
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